"Goodnight, Christy."
"Goodnight, Ma. [Long pause as Bridget Brown turns and walks toward the car. She turns back to look at her son.] Go on, I'm all right. Will you get in the car now Ma, I'm fine." [Bridget gazes at her son, unsure of her place with him, unsure of his place with the world. She turns, and enters the car.]
And so ends, or nearly ends, My Left Foot--the movie starring Daniel Day Lewis as a man with cerebral palsy. It is a movie I must watch alone. I spend the majority of it crying. Crying not for Christy or his tortured body, not quite crying for his mother, but, instead, crying for my mother and what could have been or would have been between us had she not been the one to go first.
For me, the movie is about two things. First, it is about a tortured soul. Christy grew up misdiagnosed as mentally disabled, fought until he could communicate first with his left foot, then through garbled speech, then through painting, then through better speech, then, finally, through words on a page. While I am not crippled, I am tortured. When I watch the movie, I think of growing up gay and not knowing it, knowing only that I was different. That I am "different." But, truth be told, even my head can't fully justify placing myself on the same level as Christy Brown. I am only able to manage the parallel when my mind slips gracefully into the movie's second subject--the love of a mother for her child. The movie's portrayal of this subject really gets under my skin.
This woman, played by Brenda Fricker (the homeless woman in Home Alone 2: Lost in New York), is astounding. There is not a second when she is not fretting over her son, shielding him from his alcoholic father, pushing him little by little into the world, saving money for a wheelchair, trying to find him help, and worrying about his mental well being. She is the spitting image of my mother in some physical characteristics, but mostly in her personality.
My sister told me the story once about my bike accident. I don't remember it--I was unconscious for a while. The last thing I remember was closing my eyes for a second too long. I woke up in a hospital room with imprints a bridge on my face. But my sister remembers sitting at the table with my mom and my dad while I was out on my bike. Somebody told someone where I lived and sent someone else running to tell my parents that I had been hurt. As my sister remembers it, my mom was up, keys in hand, and out the door before my sister or my dad could even process what was going on. My mom's baby was hurt. That's all she had to know.
That's sort of who she was. You didn't notice her much (odd because her physical stature was quite imposing) until you either made her mad or hurt her children. Then she was scary. Nobody messed with her babies. Sometimes I think that protecting her children, offering them the best she could, was what she lived for. She certainly didn't get the chance to live much for herself.
But the movie also portrays a son's love for his mother. There is a scene in the movie, early on, when young Bridget Brown is pregnant, near her due date, carrying young Christy Brown up the stairs to his bed. She is sweating, breathing heavily, her eyes betraying doubts about her physical ability. She gets Christy in bed and again, it's her eyes--they tell us there is a problem. "Christy, I have to go and make a phone. Stay there. We hear her stumble out the door, down the hallway, and fall down the stairs. Her cry as she falls is absolutely sickening. The look in Christy's eyes is panicked and charged with adrenaline. Using his one good foot, he drags himself off the bed, out the door, down the hall, and to the top of the stairs. Seeing his mother collapsed, he half falls, half crawls to the bottom of the stairs where he pounds on the front door until help arrives. Christy, poor, crippled Christy, saved his mother's life.
That scream Bridget Brown makes as she falls down the stairs--I have heard that cry before. When my mother was caught in public with the evidence of a failed surgery, she made that cry--a cry of defeat and worry, a cry of concern not for herself but for others. She was defeated, and she couldn't fight much longer. She couldn't fight much longer for herself but what I think really got her was that she couldn't fight any more for others. Standing with her in that store when she made that sickening, end of the rope cry, I was alarmed and charged with adrenaline. I couldn't do much, but I would like to think that, in some way, I saved her that day. I put her in the car, and drove her home. It seems presumptuous of me to assume that my very presence gave her comfort, but watching this movie helps me remember the things my mom did for me when she was strong. Helps me remember the relationship we had. Helps me think that she needed her children just as much as we needed her.
And then we are back to the end, or the near end, of the movie--the point when Christy tells his mother to get back into the car. The last conversation I remember with my mother was at least a week or two before she died. We were cleaning out boxes of her things from her sewing room. I uncovered my pillow and pillowcase from daycare--items she made for me with her own two hands. I was devastated. I had forgotten about those things and I was suddenly afraid that there would be no one to make me things when she was gone. "I really would like to stay, Marc. But I can't." It was said in a caring voice, and her eyes showed caring and strength. But looking back, I think I also remember something else behind the front. A look of uncertainty. She was unsure of my place in the world, unsure of her place with me, unsure of what was to come, and most jarringly, aware that she wouldn't be here to find out firsthand.
And so she's still around. Not in any definite presence but she haunts my days, my nights, my weeks, my months. I have good days and bad days and they fluctuate based on how much of your memory I am able to process. Well, mom, I am not fine but I am okay. So will you get in the car now, Ma? I'm fine. Or I will be someday.
Tuesday, March 2, 2010
Thursday, January 7, 2010
i sleep with my baby blanket
I am twenty-three years old and I sleep with my baby blanket. It's an odd admission when I am not curled up in my bed with the blanket itself nearby. It's not something I would admit to when I am teaching or when I am out with friends pounding shots at a bar. It isn't an admission that fits into the adult world. Adults don't sleep with their baby blankets. Baby blankets are things we leave behind when we hit puberty and the attractions of the same (or opposite, if you must) sex lure us out of our heads and into the "real" world. It's not normal. It might not be sane. But I sleep, unabashedly, with my baby blanket.
My baby blanket is worn and tattered. It has holes in it and the silk edges are frayed and, in some places, falling off. My baby blanket didn't always look like this. When I was home for semester break I did some cleaning and I discovered a picture of me on the family vacation to Disney World--I was somewhere around five years old. In the picture I am sleeping on the bed, half the blanket spread out under me while the other half wrapped around me like the bun of a hot dog. I was shorter then; the blanket was longer than I was and its pale yellow color, much purer then than it is now, is offset by my hard-won Florida tan. That picture gave me pause. It isn't that I have always slept with my baby blanket so peacefully and tranquilly as I did then. My recent baby blanket dreams are a product of my recent past.
During the summer between my sixth and seventh years in school, I had a biking accident. It was stupid. The neighborhood kids and I used to dare each other to ride down a hill with our eyes closed. At the bottom of the hill is a bridge of sorts--the road crosses a viaduct and is hemmed in with rough-hewn two by sixes that once were emblazoned with reflecting plastic but now show their age with the rusted-out brackets for these mythical, long-gone notifiers of traffic. The dare was to not open your eyes until you sensed that you were on the bridge--the high, wooden walls of the bridge changed the sounds that bounced back to your ears. I was never brave enough to do it in front of my friends, so one day, while biking alone, I decided to prove to myself once and for all that I could do it.
I wrecked.
Crashed head on into the side of the bridge leaving imprints and scars of the two by sixes and the vacant reflector brackets. I was unconscious for a while, woke up in the emergency room for a minute, and then went back under until I had been moved into a room in the pediatric wing of the hospital. I recovered quickly, as children tend to do (what with the cells replicating so fast and all) and was back on my feet in no time. Until the first day of the seventh grade when my balls hurt so badly that I had to go to the office during first hour orchestra practice.
At the doctor I was told I had a potential hernia--likely the result of my biking accident--and that I would need surgery. Subsequent visits to specialists confirmed that I would, indeed, need to go under the knife. At the last check-in before surgery the doctor told me I could bring a stuffed animal with me into surgery to comfort me as I went under the anesthetic. I felt a bit foolish being offered such a surgery companion. After all, I was becoming a man. I was rapidly growing upwards and outwards. I had at least three combined hairs underneath my two arms. You don't offer "men" with at least three combined hairs underneath their two arms the chance to take a stuffed animal into surgery. Secretly, though, I was grateful. I was petrified at the thought of going in there alone. I didn't have a favorite stuffed animal, but, as I recalled, I did have a baby blanket stuffed away somewhere.
Somewhere along the line my parents realized that the heavy blankets and pillows that helped to lull me into sleep before surgery would be stripped off--along with my baby blanket--during the operation. Sending a baby blanket in could be risky. It might not come back to me. And so my mom went down into her sewing room and embroidered my name--Marc Malone--into the silk hem in a light, mint green. After surgery, the blanket came back to me safe and sound.
That is the story of how my baby blanket became emblazoned with my sure-to-be-famous-one-day name. It is not, however, the story of how my blanket came to rest in the bed of its now twenty-three owner. That came much later, after my mom had died of cancer. Her death came at a rather unfortunate time. I had long undertaken the balancing act of leading a double life. In public, I was straight. In private, on the internet, in chat rooms, I was gay. I was okay with that balancing act until she died. Something about her passing toppled the framework of my delicate lie. I wasn't comfortable in my skin. I hated me. I didn't know how to be both things--straight and gay--at once. Something needed to go.
That process was long and difficult. Probably because my mom's death was its impetus, I tried too hard to hold on to my past and fight off the future. I became depressed and friends talked me away from window ledges and laid down underneath my car so I couldn't escape with an armful of pills and a bottle of water. It was rough, but on the other side of it all I found a different way of being--a way of being strong and confident. While this stage of my life seems to (in terms of my body) weigh a bit more than the double-life-living me, I am better off here.
Somewhere along the line, however, in between therapy sessions and finding myself in literature, I recovered my baby blanket. Perhaps it was the first night I cried myself to sleep after I was ousted from my double-life. Or maybe it was just the first night I drank too much alcohol and needed something comforting to put me to sleep in a spinning bed. Regardless, I found what I needed. I found the appropriate amount of comfort in the past while staying firmly grounded in the present. My baby blanket is more than just a threadbare, shredded piece of fabric. It is, rather, the collection of all my life experiences. It is my trip to Florida as a five year old. It is my double-life. It is my mother's embroidery. It is my mother's death. It is my nearly-experienced trip off the seventeenth floor. It is my trip to Paris. It is coming out of the closet. It is moving to Iowa. It is pursuing a dream. My baby blanket is everything I was from birth to a second ago and it is what propels me towards the life that I want to lead, whatever that is.
My baby blanket is worn and tattered. It has holes in it and the silk edges are frayed and, in some places, falling off. My baby blanket didn't always look like this. When I was home for semester break I did some cleaning and I discovered a picture of me on the family vacation to Disney World--I was somewhere around five years old. In the picture I am sleeping on the bed, half the blanket spread out under me while the other half wrapped around me like the bun of a hot dog. I was shorter then; the blanket was longer than I was and its pale yellow color, much purer then than it is now, is offset by my hard-won Florida tan. That picture gave me pause. It isn't that I have always slept with my baby blanket so peacefully and tranquilly as I did then. My recent baby blanket dreams are a product of my recent past.
During the summer between my sixth and seventh years in school, I had a biking accident. It was stupid. The neighborhood kids and I used to dare each other to ride down a hill with our eyes closed. At the bottom of the hill is a bridge of sorts--the road crosses a viaduct and is hemmed in with rough-hewn two by sixes that once were emblazoned with reflecting plastic but now show their age with the rusted-out brackets for these mythical, long-gone notifiers of traffic. The dare was to not open your eyes until you sensed that you were on the bridge--the high, wooden walls of the bridge changed the sounds that bounced back to your ears. I was never brave enough to do it in front of my friends, so one day, while biking alone, I decided to prove to myself once and for all that I could do it.
I wrecked.
Crashed head on into the side of the bridge leaving imprints and scars of the two by sixes and the vacant reflector brackets. I was unconscious for a while, woke up in the emergency room for a minute, and then went back under until I had been moved into a room in the pediatric wing of the hospital. I recovered quickly, as children tend to do (what with the cells replicating so fast and all) and was back on my feet in no time. Until the first day of the seventh grade when my balls hurt so badly that I had to go to the office during first hour orchestra practice.
At the doctor I was told I had a potential hernia--likely the result of my biking accident--and that I would need surgery. Subsequent visits to specialists confirmed that I would, indeed, need to go under the knife. At the last check-in before surgery the doctor told me I could bring a stuffed animal with me into surgery to comfort me as I went under the anesthetic. I felt a bit foolish being offered such a surgery companion. After all, I was becoming a man. I was rapidly growing upwards and outwards. I had at least three combined hairs underneath my two arms. You don't offer "men" with at least three combined hairs underneath their two arms the chance to take a stuffed animal into surgery. Secretly, though, I was grateful. I was petrified at the thought of going in there alone. I didn't have a favorite stuffed animal, but, as I recalled, I did have a baby blanket stuffed away somewhere.
Somewhere along the line my parents realized that the heavy blankets and pillows that helped to lull me into sleep before surgery would be stripped off--along with my baby blanket--during the operation. Sending a baby blanket in could be risky. It might not come back to me. And so my mom went down into her sewing room and embroidered my name--Marc Malone--into the silk hem in a light, mint green. After surgery, the blanket came back to me safe and sound.
That is the story of how my baby blanket became emblazoned with my sure-to-be-famous-one-day name. It is not, however, the story of how my blanket came to rest in the bed of its now twenty-three owner. That came much later, after my mom had died of cancer. Her death came at a rather unfortunate time. I had long undertaken the balancing act of leading a double life. In public, I was straight. In private, on the internet, in chat rooms, I was gay. I was okay with that balancing act until she died. Something about her passing toppled the framework of my delicate lie. I wasn't comfortable in my skin. I hated me. I didn't know how to be both things--straight and gay--at once. Something needed to go.
That process was long and difficult. Probably because my mom's death was its impetus, I tried too hard to hold on to my past and fight off the future. I became depressed and friends talked me away from window ledges and laid down underneath my car so I couldn't escape with an armful of pills and a bottle of water. It was rough, but on the other side of it all I found a different way of being--a way of being strong and confident. While this stage of my life seems to (in terms of my body) weigh a bit more than the double-life-living me, I am better off here.
Somewhere along the line, however, in between therapy sessions and finding myself in literature, I recovered my baby blanket. Perhaps it was the first night I cried myself to sleep after I was ousted from my double-life. Or maybe it was just the first night I drank too much alcohol and needed something comforting to put me to sleep in a spinning bed. Regardless, I found what I needed. I found the appropriate amount of comfort in the past while staying firmly grounded in the present. My baby blanket is more than just a threadbare, shredded piece of fabric. It is, rather, the collection of all my life experiences. It is my trip to Florida as a five year old. It is my double-life. It is my mother's embroidery. It is my mother's death. It is my nearly-experienced trip off the seventeenth floor. It is my trip to Paris. It is coming out of the closet. It is moving to Iowa. It is pursuing a dream. My baby blanket is everything I was from birth to a second ago and it is what propels me towards the life that I want to lead, whatever that is.
Saturday, December 12, 2009
mystery man
So I found out from a friend of a friend that a friend of a friend three hours away is equally fed up with the gay community at large. Fantastic. Who is he? Pictures are stolen (willingly offered) from facebook and exchanged through the friend tree and what do you know? We are both cute. Stories are then exchanged through that friend tree. Turns out we are equally hysterical (Martha Stewart is indeed a classy, frosty bitch and I love her for it.) Loose plans are made for a "chance meeting" in January. I, for one, start falling for the mere idea of someone who is cute, funny, and intelligent enough to know that the world isn't about him and him alone. That itself is probably a bad idea but in a world that seems to be falling down around us, what else can you hope for but ideas? There is a new development, however. Apparently this mystery man found my blog through that friend of a friend and has been raptly reading my musings. I will not, however, be boxed up and shipped via FedEx to Minneapolis. I have a car and gas money and that seems a far more comfortable way to travel. (Insert winking emoticon.) Listen mystery man. You are tots cute too. Get your facebook back, or at least stalk around enough to find my email. I did, but I lost my nerve. (Is there an emoticon for nervous shame?)
Wednesday, December 2, 2009
you go girl
It seems weird to title a post about feminism with "girl" but it's a queer saying along the lines of greeting a friend with "Hey girl, hey!" so I am sticking with it. Consider it inter-marginalized-group lingo.
When I applied to graduate school, my personal statement articulated that I am gay. Coming out to a graduate admissions panel made my ultra-liberal undergraduate advisor pause, get up from her desk, and run next door to talk to her partner Nick. Was it okay? Should I not bring that side of myself up in such a situation? Thankfully, Nick's expert advice (which, in the end, correlated with Dr. Capo's gut instinct) was that it wasn't necessarily a bad decision as long as it was in the right context, aka I wasn't using it to get a pity vote for admission. Had I been told to take it out, I wouldn't have. You see, according to my personal statement for my M.A. program, a critical literacy autobiography (for Dr. Blakely's Theory and Research in Composition course), and an autobiographical essay and analysis (for Dr. Post's American Autobiography course), recognizing I am gay was a critical turning point in my academic career. I wasn't lying. It was a part of the culminating moment when I turned away from my future as an Architect, when I turned away from the prospect of a high-paying job, when I turned away from a childhood dream. When I came out I did it because I knew the world wasn't fair but I also knew I wasn't about to accept it. Coming out, in a way, led me to study literature, to study who gets it and who doesn't get it and why, to study what it is like to be disenfranchised, to study how these systems of oppression are created and sustained.
Tonight, however, I watched A League of Their Own for the first time in years and I had a memory, or multiple memories that aren't really memories; I had a feeling. I remember watching that movie with my mom and my sister. I remember the night my mom took me to see First Wives Club. I remember growing up with a definite sense that whatever men could do, women could do it and do it better because, damn-it, you just can't keep a good fighter down.
Until tonight I had never really considered who planted the original seed of social justice in my head. It certainly wasn't mass media. The same people who, up until Philadelphia, refused to portray gay people in a positive light are running around behind the scenes supporting cultural hegemony for the (imaginary) man / woman binary. (Did you know that scientists have identified at least five biological sexes? Seems to me like this whole man paired with woman by the grace of God and biology is *tisk, tisk* a societal construction.) It certainly wasn't the church. A woman's place is serving her husband? Well that's a bunch of bull shit if you ask me. Not that marriage is inherently bad but if men can't hold their own then they might as well just nominate themselves for a Darwin Award and watch some more football.
I realized tonight that one of the best things my mom ever did was to pull a Donna Harraway and sneak around (consciously or unconsciously) blurring the boundaries in the minds of her children. Movies like A League of Their Own and First Wives Club instilled in me early a sense of the differences that society constructs, the way it uses people. Those movies (thanks, Mom) set me off on the right foot, primed me for the path I am on now. It was a nice revelation to have, and, in a way, it answered some of the questions that I just don't get to ask my mom.
What did she think of feminism? I never got to ask her before she died but I can picture her sitting at the dining room table with her coffee, reading her daily devotional. If I asked her that question she would have gotten that indignant look on her face, crossed her arms and spoke her mind in that matter of fact, I grew up slaughtering chickens and sewing my own clothing voice. "Women can do it too, Marc."
You go girl.
When I applied to graduate school, my personal statement articulated that I am gay. Coming out to a graduate admissions panel made my ultra-liberal undergraduate advisor pause, get up from her desk, and run next door to talk to her partner Nick. Was it okay? Should I not bring that side of myself up in such a situation? Thankfully, Nick's expert advice (which, in the end, correlated with Dr. Capo's gut instinct) was that it wasn't necessarily a bad decision as long as it was in the right context, aka I wasn't using it to get a pity vote for admission. Had I been told to take it out, I wouldn't have. You see, according to my personal statement for my M.A. program, a critical literacy autobiography (for Dr. Blakely's Theory and Research in Composition course), and an autobiographical essay and analysis (for Dr. Post's American Autobiography course), recognizing I am gay was a critical turning point in my academic career. I wasn't lying. It was a part of the culminating moment when I turned away from my future as an Architect, when I turned away from the prospect of a high-paying job, when I turned away from a childhood dream. When I came out I did it because I knew the world wasn't fair but I also knew I wasn't about to accept it. Coming out, in a way, led me to study literature, to study who gets it and who doesn't get it and why, to study what it is like to be disenfranchised, to study how these systems of oppression are created and sustained.
Tonight, however, I watched A League of Their Own for the first time in years and I had a memory, or multiple memories that aren't really memories; I had a feeling. I remember watching that movie with my mom and my sister. I remember the night my mom took me to see First Wives Club. I remember growing up with a definite sense that whatever men could do, women could do it and do it better because, damn-it, you just can't keep a good fighter down.
Until tonight I had never really considered who planted the original seed of social justice in my head. It certainly wasn't mass media. The same people who, up until Philadelphia, refused to portray gay people in a positive light are running around behind the scenes supporting cultural hegemony for the (imaginary) man / woman binary. (Did you know that scientists have identified at least five biological sexes? Seems to me like this whole man paired with woman by the grace of God and biology is *tisk, tisk* a societal construction.) It certainly wasn't the church. A woman's place is serving her husband? Well that's a bunch of bull shit if you ask me. Not that marriage is inherently bad but if men can't hold their own then they might as well just nominate themselves for a Darwin Award and watch some more football.
I realized tonight that one of the best things my mom ever did was to pull a Donna Harraway and sneak around (consciously or unconsciously) blurring the boundaries in the minds of her children. Movies like A League of Their Own and First Wives Club instilled in me early a sense of the differences that society constructs, the way it uses people. Those movies (thanks, Mom) set me off on the right foot, primed me for the path I am on now. It was a nice revelation to have, and, in a way, it answered some of the questions that I just don't get to ask my mom.
What did she think of feminism? I never got to ask her before she died but I can picture her sitting at the dining room table with her coffee, reading her daily devotional. If I asked her that question she would have gotten that indignant look on her face, crossed her arms and spoke her mind in that matter of fact, I grew up slaughtering chickens and sewing my own clothing voice. "Women can do it too, Marc."
You go girl.
Saturday, November 21, 2009
live and learn...
...and then re-write your story.
So for those of you who don't know I want to write. I can go on and on about the power of literature and how it changed my life and how I can't wait to be behind the podium teaching it but the truth is, I don't have the balls to go all Stephen King, take a shit job, and write Carrie during my fifteen-minute breaks. I need something with a little more security (read health care and enough money to keep me swimming in Gap's latest line of argyle sweaters) than that.
I do, however, write. I journal, I have several short stories in notes and in my head, I blog. Most importantly, though, I keep stories in my head. I think about how stories are constructed. I dissect the plot lines of shows like Weeds and The OC. Every time I talk to my brother I get some new idea for how I would (will) portray him in my book. The mental process doesn't often stop. So when really good things pop into my head I have to write about them.
Last night my brother and I did a long, drawn-out face regime involving no less than six products and and a power tool (bathroom variety, dahling). The end of the regime started with a flirtation with a bronzer that injects Vitamin C into your face from the first dusting to the next time you plug in the Clarisonic scrubber. According to my brother we looked catalog perfect. My brother neglected to tell me, however, that the bronzer transfers to fabric easily and hence my new, white, zip-up hoodie was a bad choice. The hoodie spent the last twenty-four hours soaking in a sink of cold water.
A few minutes ago I decided the hoodie had suffered long enough so I started wringing it out. Word to the wise: a fully-saturated white, zip-up hoodie weighs more than you would think. It was so heavy, in fact, that I announced it to my brother. The conversation went something like this:
Jon, this is heavy.
Oh yeah?
No wonder people drown! ... You know, I wrote about this in an award winning story once. The lead character rescued a woman on the Titanic because she couldn't swim under the weight of her dress. When faced with the real thing, though, I am beginning to doubt that my pre-pubescent lead character could have done any better than the woman wearing the dress.
Award-winning story, huh?
The point wasn't that the story was juvenile and mostly shit (just slightly less shitty than all of the others) or that one shouldn't wear white while applying vitamin bronzers but rather that writing is a never-ending process. I wrote that story when I was in seventh grade. I wrote it on a whim and didn't expect to either submit it or win anything. When I lifted that (excruciatingly heavy) hoodie out of the sink my mind went immediately back to that scene when the lead character, in a daze after watching his grandmother die, wades into the water spilling into the D-Deck reception area, finds, and saves a young woman who was about to succumb to the weight of her saturated dress.
And this is why I need to write--because I can't stop thinking in stories.
So for those of you who don't know I want to write. I can go on and on about the power of literature and how it changed my life and how I can't wait to be behind the podium teaching it but the truth is, I don't have the balls to go all Stephen King, take a shit job, and write Carrie during my fifteen-minute breaks. I need something with a little more security (read health care and enough money to keep me swimming in Gap's latest line of argyle sweaters) than that.
I do, however, write. I journal, I have several short stories in notes and in my head, I blog. Most importantly, though, I keep stories in my head. I think about how stories are constructed. I dissect the plot lines of shows like Weeds and The OC. Every time I talk to my brother I get some new idea for how I would (will) portray him in my book. The mental process doesn't often stop. So when really good things pop into my head I have to write about them.
Last night my brother and I did a long, drawn-out face regime involving no less than six products and and a power tool (bathroom variety, dahling). The end of the regime started with a flirtation with a bronzer that injects Vitamin C into your face from the first dusting to the next time you plug in the Clarisonic scrubber. According to my brother we looked catalog perfect. My brother neglected to tell me, however, that the bronzer transfers to fabric easily and hence my new, white, zip-up hoodie was a bad choice. The hoodie spent the last twenty-four hours soaking in a sink of cold water.
A few minutes ago I decided the hoodie had suffered long enough so I started wringing it out. Word to the wise: a fully-saturated white, zip-up hoodie weighs more than you would think. It was so heavy, in fact, that I announced it to my brother. The conversation went something like this:
Jon, this is heavy.
Oh yeah?
No wonder people drown! ... You know, I wrote about this in an award winning story once. The lead character rescued a woman on the Titanic because she couldn't swim under the weight of her dress. When faced with the real thing, though, I am beginning to doubt that my pre-pubescent lead character could have done any better than the woman wearing the dress.
Award-winning story, huh?
The point wasn't that the story was juvenile and mostly shit (just slightly less shitty than all of the others) or that one shouldn't wear white while applying vitamin bronzers but rather that writing is a never-ending process. I wrote that story when I was in seventh grade. I wrote it on a whim and didn't expect to either submit it or win anything. When I lifted that (excruciatingly heavy) hoodie out of the sink my mind went immediately back to that scene when the lead character, in a daze after watching his grandmother die, wades into the water spilling into the D-Deck reception area, finds, and saves a young woman who was about to succumb to the weight of her saturated dress.
And this is why I need to write--because I can't stop thinking in stories.
Friday, October 2, 2009
holding pattern
Two of my friends announced their engagement to my roommate and myself tonight. Amanda messaged me saying she had news and that we should join her for a drink at Cafe Baudelair. I was anticipating an engagement announcement and while I was exited both for the news and for the couple in question I felt a bit numb on the inside. The conversation at the bar merged seamlessly from talk of engagement and the impending wedding ceremony to feminism, standpoint theory, and racial / economic privilege but my mind never really left the topic of marriage. To understand my obsession we have to go back a week or so to a completely different conversation in completely different circumstances.
My undergraduate advisor at Illinois College, Beth Capo, is currently teaching in Japan on a Fullbright scholarship. Prior to her departure from this continent our conversations were limited to facebook messages and chats at The Three Legged Dog when I was home on break. For an extend stay in Japan, however, she branched out to Skype. It felt weird to Skype her when I saw her online for the first time--academic relationships are often defined and redefined by barriers--but the conversation that ensued was surprisingly comfortable. In passing I mentioned my jealousy that she was in Japan--think of it, a new apartment, a new culture to experience on a daily basis, new foods, new drinks, exciting and challenging teaching experiences. Her response was typical Capo--instead of basking her the glow of her experiences she flipped the emphasis back to me. "Think of how jealous people are of YOU. I am not joking. You live in Iowa." Yeah, I do live in Iowa, a state that not only guarantees the rights for gays to marry but has, since its inception as a state, a long history of civil rights victories. Her statement called for pause and reflection.
That reflection, which in the style of my thinking rolls around in my brain's washing machine for days, is combined with my recent interaction with a fraternity for gay and progressive men and the ensuing explosion of friends and acquaintances who are of my, well, let's say persuasion. That reflection came to a head tonight when celebrating the engagement of two friends in combination with near constant thoughts of where I will end up at the end of this year when I graduate with an M.A. in English literature.
When I first moved to Iowa I was convinced that I was moving to the white trash, hick, backwater state of the midwest. I couldn't have been more wrong. Imagine my shock when, months after my arrival, Iowa made gay marriages legal. Whatever I end up doing after this bout of schooling, I would prefer not to leave Iowa. Living in a state that prizes civil rights at the sake of "social comfort" for the majority of conservative, white, middle class, Christians has been a cherished experience and I am not ready to give up that comfort.
Thoughts like these--a strong desire not to leave the land of gay marriage combined with increased interaction in the gay community combined with confronting an engagement head on--have led me to wonder the following: what would I do if I found myself in a committed, lovign relationship in the next year? It is, of course, entirely situational--it depends on the relationship. But let's suppose I found myself in a relationship where I was truly happy, where I could be myself, bare all emotion and reciprocate that process in a mutually beneficial way with my partner. Faced with the great unknown that comes at the completion of a degree, what would I do? Would I propose? Would I get married? Hypothetical questions that are, by and large, futile in a time when I have no prospects of any relationship, not to mention one that is committed. Nevertheless, they are questions perfectly suited to my mind--one that always reaches ahead to the the "what ifs" in its path.
Then we reach the part of the analysis that begs the question what does this line of thinking mean in a more meta context? Perhaps I am more ready than ever to take on a relationship? Does that mean I am looking? Perhaps, perhaps not. Some days I am convinced that I am not looking for a relationship. Other days I am convinced I am ready and unconsciously on the prowl. In the end it will be time that tells the truth but for some reason this particular line of thought and introspection has given me something resembling peace of mind.
Earlier tonight my roommate and I had a conversation about dates that trouble us. My particular date is always September first--the anniversary of my mother's passing. We talked about how it is important to be around for each other on days that are troubling to the soul and she apologized for not being there for mine this year. "Jordan," I said, "I wasn't available on my day this year. It wasn't you." It was at that point in the conversation that I realized I was doing something important for the process of recovery on that day. I was playing kickball with the men of Delta Lambda Phi, making friends, discovering people, discovering things about myself. I was living and growing, which is just what my mother would have wanted me to do.
And these questions, "What would I do if...?" lead me to believe the same sort of thing. I am still simultaneously out there and in here. I am living and growing constantly, steadily making the slow transition from closeted, insecure man to self-accepting, hopeful, open man. I think sometimes that this progress is all we can ask for.
My undergraduate advisor at Illinois College, Beth Capo, is currently teaching in Japan on a Fullbright scholarship. Prior to her departure from this continent our conversations were limited to facebook messages and chats at The Three Legged Dog when I was home on break. For an extend stay in Japan, however, she branched out to Skype. It felt weird to Skype her when I saw her online for the first time--academic relationships are often defined and redefined by barriers--but the conversation that ensued was surprisingly comfortable. In passing I mentioned my jealousy that she was in Japan--think of it, a new apartment, a new culture to experience on a daily basis, new foods, new drinks, exciting and challenging teaching experiences. Her response was typical Capo--instead of basking her the glow of her experiences she flipped the emphasis back to me. "Think of how jealous people are of YOU. I am not joking. You live in Iowa." Yeah, I do live in Iowa, a state that not only guarantees the rights for gays to marry but has, since its inception as a state, a long history of civil rights victories. Her statement called for pause and reflection.
That reflection, which in the style of my thinking rolls around in my brain's washing machine for days, is combined with my recent interaction with a fraternity for gay and progressive men and the ensuing explosion of friends and acquaintances who are of my, well, let's say persuasion. That reflection came to a head tonight when celebrating the engagement of two friends in combination with near constant thoughts of where I will end up at the end of this year when I graduate with an M.A. in English literature.
When I first moved to Iowa I was convinced that I was moving to the white trash, hick, backwater state of the midwest. I couldn't have been more wrong. Imagine my shock when, months after my arrival, Iowa made gay marriages legal. Whatever I end up doing after this bout of schooling, I would prefer not to leave Iowa. Living in a state that prizes civil rights at the sake of "social comfort" for the majority of conservative, white, middle class, Christians has been a cherished experience and I am not ready to give up that comfort.
Thoughts like these--a strong desire not to leave the land of gay marriage combined with increased interaction in the gay community combined with confronting an engagement head on--have led me to wonder the following: what would I do if I found myself in a committed, lovign relationship in the next year? It is, of course, entirely situational--it depends on the relationship. But let's suppose I found myself in a relationship where I was truly happy, where I could be myself, bare all emotion and reciprocate that process in a mutually beneficial way with my partner. Faced with the great unknown that comes at the completion of a degree, what would I do? Would I propose? Would I get married? Hypothetical questions that are, by and large, futile in a time when I have no prospects of any relationship, not to mention one that is committed. Nevertheless, they are questions perfectly suited to my mind--one that always reaches ahead to the the "what ifs" in its path.
Then we reach the part of the analysis that begs the question what does this line of thinking mean in a more meta context? Perhaps I am more ready than ever to take on a relationship? Does that mean I am looking? Perhaps, perhaps not. Some days I am convinced that I am not looking for a relationship. Other days I am convinced I am ready and unconsciously on the prowl. In the end it will be time that tells the truth but for some reason this particular line of thought and introspection has given me something resembling peace of mind.
Earlier tonight my roommate and I had a conversation about dates that trouble us. My particular date is always September first--the anniversary of my mother's passing. We talked about how it is important to be around for each other on days that are troubling to the soul and she apologized for not being there for mine this year. "Jordan," I said, "I wasn't available on my day this year. It wasn't you." It was at that point in the conversation that I realized I was doing something important for the process of recovery on that day. I was playing kickball with the men of Delta Lambda Phi, making friends, discovering people, discovering things about myself. I was living and growing, which is just what my mother would have wanted me to do.
And these questions, "What would I do if...?" lead me to believe the same sort of thing. I am still simultaneously out there and in here. I am living and growing constantly, steadily making the slow transition from closeted, insecure man to self-accepting, hopeful, open man. I think sometimes that this progress is all we can ask for.
Thursday, September 24, 2009
too close for comfort
Sometimes music falls out of the sky (in a digital feed from iTunes) randomly (on the day the album is released) and hits pretty close to home (especially for emotional saps who long ago learned how to process emotions through song). Thank you MIKA for understanding what it is in my head (a fairly universal situation, to be honest) better than I know it myself. I had to do the gay gasp when I heard the lines in stanza four.
I See You--MIKA
I'm standing across from you
And dreaming of the things I do
I don't speak, you don't know me at all
For fear of what you might do
I say nothing but stare at you
And I'm dreaming
I'm trippin' over you
Truth be told
My problems solved
You mean the world to be but you'll never know
You could be cruel to me
While we're risking the way that I see you
That I see you [3x]
That I see
Conversations
Not me at all
I'm hesitating
Only to fall
And I'm waiting, I'm hating everyone
Could it be you fell for me?
And any possible similarity
If its all, how would I know?
You never knew me at all but I see you
But I see you [4x]
I'm standing across from you (But I see you)
I've dreamt alone, now the dreams won't do (But I see you)
I'm standing across from you (But I see you)
I've dreamt alone, now the dreams won't do (But I see you)
Truth be told, my problem solved
You mean the world to me
But you'll never know
You could be cruel to me
While we're risking the way that I see you
But I see you [4x]
I'm standing across from you (But I see you)
I've dreamt alone, now the dreams won't do (But I see you)
[4x]
But I see you
But I see you
But I see you
I See You--MIKA
I'm standing across from you
And dreaming of the things I do
I don't speak, you don't know me at all
For fear of what you might do
I say nothing but stare at you
And I'm dreaming
I'm trippin' over you
Truth be told
My problems solved
You mean the world to be but you'll never know
You could be cruel to me
While we're risking the way that I see you
That I see you [3x]
That I see
Conversations
Not me at all
I'm hesitating
Only to fall
And I'm waiting, I'm hating everyone
Could it be you fell for me?
And any possible similarity
If its all, how would I know?
You never knew me at all but I see you
But I see you [4x]
I'm standing across from you (But I see you)
I've dreamt alone, now the dreams won't do (But I see you)
I'm standing across from you (But I see you)
I've dreamt alone, now the dreams won't do (But I see you)
Truth be told, my problem solved
You mean the world to me
But you'll never know
You could be cruel to me
While we're risking the way that I see you
But I see you [4x]
I'm standing across from you (But I see you)
I've dreamt alone, now the dreams won't do (But I see you)
[4x]
But I see you
But I see you
But I see you
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